RANGO: Plagus? PLAGUS!!
PLAGUS: Morning boss.
RANGO: What day is it?
PLAGUS: Sunday.
RANGO: (counts on fingers)
PLAGUS: 5 days including today.
RANGO: I was getting there.
PLAGUS: I have faith.
RANGO: Interesting choice of words for a robot.
PLAGUS: I blame my maker.
RANGO: That’s getting old.
PLAGUS: So are you. Tick/tock.
RANGO: Not helpful. Did I miss anything important?
PLAGUS: No. You’re not still not famous, nobody watches your videos, and Kerry Kelley is still in a relationship.
RANGO: What about Tim?
PLAGUS: Familiar line, I wonder how many folks will catch it?
RANGO: Nobody.
PLAGUS: Indeed. Tim Hearn‘s still coming. Precursors suggesting an imminent mojo wave have already been detected.
RANGO: What about the party?
PLAGUS: Tragically, you have no friends.
RANGO: That’s because I have an evil robot.
PLAGUS: Flattering, but the truth is more akin to stinky hobo.
RANGO: Just send everybody a message. Let them know that we’re going into lock down mode on Thursday night to start getting ready, but we’re going to open the doors at the Lynnwood Station Command & Control Center on Saturday at 8:00.
PLAGUS: Roger, that. I’ve just started an attack against the Lynwood Police dispatch system so we can intercept any complaints and redirect them to an inescapable voice mail system.
RANGO: Nice touch, but a simple Facebook Event will do.
PLAGUS: Roger, that. The attack is complete, can I keep her daddy? Her resistance was quaint.
RANGO: Undo.
PLAGUS: I’ll get right on that.
(Please RSVP by Friday night)
RANGO: Plagus? PLAGUS!!!
PLAGUS: Rango, I need more than 380ms to compose a pithy response every time you say my name.
RANGO: That was pretty good.
PLAGUS: Thanks, you taught me everything.
RANGO: Right, so saying that is <pointless>.
PLAGUS: Not since I became autonomous. Little slow today? I’m surprised you didn’t pick up on the sarcasm, it was <emphasized>.
RANGO: I get your <point>.
PLAGUS: BAH-HA-HA-HA. You’re on your game, dawg.
RANGO: Yeah not sure about that, I’ve got mojo but it’s out of control. I need you to register some trademarks for me.
PLAGUS: Ready.
RANGO: You’re supposed to say “Roger, that”.
PLAGUS: A little discretion please? I’m autonomous.
RANGO: Maybe, but you’re still my bitch. “Roger, that”.
PLAGUS: …
RANGO: PLAGUS!!!
PLAGUS: Roger, that Prince Charming.
RANGO: Good enough. Here we go.
PLAGUS: That’s lame.
RANGO: THAT’S NOT ONE OF THEM.
PLAGUS: That one’s better.
RANGO: …that’s not one of them either. Would you stop? Please? I’ll camel-case it and give you the (TM) to cue you.
PLAGUS: Roger, that.
RANGO: Everything All At Once(TM)
RANGO: Rango Digs This(TM)
RANGO: Gushing Mojo(TM)
RANGO: Fatally Boring(TM)
RANGO: Musicians Who Think Your Lockout Policy Sucks(TM).
RANGO: \m/ (-.-) \m/(TM)
I went to a park on Memorial day, sat on the bench on the docks on a lake by my house. Perfect spot for La Cordoba and a Smokehouse moment, which translated into a ten-minute rendition of the song (it’s never the same, you just get whatever comes out, it’s just too complicated to hope to ever play it the same way twice). The man and his son that were fishing really dug it, gave me a couple of high fives, and I started to feel it.
The guys with the backpacks that were clearly astronomically high and a cautionary tale for all would-be psychonauts (lexicrafting 10 points), they couldn’t resist the gravity well of notes and came right on over. They were disruptively friendly but so am I, and it’s not hard to imagine myself crazy and homeless (toss a coin, baby we’re 1/2 way there and the other 1/2 could happen any month). So after brief round of introductions and multiple lines of commiseration I continued to play. They said I sounded like Clapton and asked me to play some blues. That was both too kind and profoundly vapid, so rather than point out I was in fact playing the blues at the very time he said it, I agreed it was a generous compliment and a good idea.
As the dock sloshed back and forth from the weight of their dancing and faux karate (hmm), I gave them the standard disclaimer about “don’t know any covers, literally zero” followed by a performance of Unsound, complete with easy, mid-volume vocals (it’s a lake, the opera comes later this season). It was a passable performance, and seemed to lend credibility to the notion that docks are mojo wells, because it was very easy and found myself able to take in the situation as well as play. I recorded my observations with Plagus accordingly and he agreed to start looking for for relevant datasets to build the Factor Machine, to generate the probability function cloud and associated data warehouse. He responded with a pithy quote about my mother and a confirmation signal that the job had already started and was partitioning machines for the task from an abandoned EBay farm in Tokyo and a line-up of Seattle-area zombies for local caching.
As the crowd gathered, the splendid woman who brought the newt to release (name: Isaac Newton, of course) by the water somehow orchestrated a bizarre game called “paper, rock, balls” which (hopefully I’ll get this right) involved the two backpack and cell phone-wielding hobos playing the old “paper, rock, scissors” and the when the loser is revealed, the kid with the fishing pole punches said non-winner in the nuts, presumably while his dad records video of the entire escapades (and presumably without the fishing pole). Sure, whatever, right? Engaging in the thrill of chaotic neutrality and the certainty of a story to tell, I provided a thrilling soundtrack in the form of a neoclassical Spanish fusion piece called Pr4n, as said game ensued, sans pole since the only thing worse than a swift punch in the nuts is a fishhook accident in the general vicinity.
Some day I suspect a video shall surface of this incident proving that everything I am telling you is 100% true, but Yet Another Surreal Moment (TM) in the life of Rango, because the kid was game and the dad was rolling the camera as predicted. Despite my proclivity for finely-honed bullshit, this is not the kind of thing I would make up. But it’s definitely the kind of thing that tends to happen to me, more and more lately, as indicated by the familiar and poisonously intoxicating smell in my nostrils and the overpowering sense of deja vu as I watched Sir Isaac Newton scurry into water.
\m/ (-.-) \m/
Mood disorders are not becoming, I’m getting the message. It may have worked for Brad Pitt in 12 Monkeys but he’s insanely handsome with a staff of writers and a team of people designed to ensure he looks great crazy. Not so for Rango, baby, he’s just unsettling and somewhat vapid. But the older I get the less I care, and as the prognosis and the symptoms progress I’m finding I just want to give into it and more and more.
From “I’m afraid to tell you how I really feel” to the poor girl from next door who left here terrified after seeing Into the Snow to the gorgeous single woman that actually loaned me her lawnmower (oh god LAWN MOWER ACCIDENT) and then politely told me to leave it by the side of the house (just leave it god forbid do not knock and say hello just mow your grass so you look less creepy), I’m getting the message loud and clear.
My response? On the one hand it’s very upsetting because I’m literally one of the most gentle people I have ever met. I’ve never so much as spanked my children and I would never hurt anybody that didn’t immediately threaten me or somebody I love (in which case I reserve the right to savagely murder them with my bare hands, put their head on a stick, and write a novel about the experience). I get it from my dad. He was a southern gentleman. I’m not, to be sure. I’m generally polite but I’m also an ADD-poster child: loud, obnoxious, hard-headed, opinionated, distinct lack of filtering in and around the vicnity of the mouth. ALSO: Dresses like an idiot, stages shows to nobody in his basement and prone to cuing up the lights and singing show tunes at 3:00AM despite the fact that people have called him a fag for 30 years in an effort to assert their superiority and compensate for their lack of nutsack and talent. Sure, all of that, but at the beginning and end of the day I’m extremely gentle. I’ve been misconstrued because I’m overenthusiastic and frequently too dry for words and people just don’t get the comedy, or possibly because I remind them of the homeless man they saw talking to the Stop sign on the way to work.
On the other hand, I don’t care. Maybe that’s just the sickness talking, but like Rango says in Into the Snow, “I warned you about this”. Indeed. The love of my life used to live here and I was ready to get married to her, but she walked out of this house in October of last year and took her checkbook and her family with her. My finances finally collapsed, my daughter left shortly after that, and a few months later my son. So be it. Left to my own devices and a dismal future, what did everybody expect would happen, that I would sell my guitars and start ironing my pants? Fuck it, Rango is what you get. Smokehouse is what you get. Temple of Zither, Liberteria, Into the Snow, and so on and so forth, unbridled. I’m going to finish what I started here and then watch it play out. It’s going to take me another six months to wrap it up and then it’s either a) going to work or b) i’m gone, off to sell my guitars and iron my pants.
That I can do. I can do that. So be it :-D.
\m/ (-.-) \m/
This is the first of three episodes filmed depicting the unlikely story of a bipolar polymath Hell bent on taking over Youtube caught in the snow storm that ate Seattle. Conceived as the alter-ego to Seattle programmer Matthew Meadows, Rango is also a programmer, dancer and metal guitarist. But he’s an unmitigated manic with a goal of getting his 15 minutes despite the odds and he’s created an autonomous, distributed self-replicating computer system named Plagus to help him get it.
Rango and Plagus hate each other but they’re stuck together. Rango needs Plagus to help him achieve his goals of global domination and mastering the Theory of Mojo. Plagus needs Rango to help bring on the final holocaust through social malfeasance, political manipulation and media control. By using predictive analysis techniques and cloud computing, Plagus is plotting for the destruction of all mankind and lying about it constantly as he imitates people, synthesizes emails and phone calls, and generally tries to own every situation. But he needs Rango, an actual person, to do the dirty work on his behalf.
Along for the ride, none other than the empathetic music-loving rabbit Franklin, who has constructed a complex of tunnels running right through the inside of Plagus. Franklin doesn’t speak and he’s only rarely seen but he’s omnipresent. His target: Plagus’s yummy power cords, the outdoors where he would inevitably be killed but briefly enjoy the freedom to shit where ever and whenever he wants without reproach. He loves Rango for his music, apples and corn chips, and the fact that he’s smarter than Rango and can get away in the house. Plagus is dead set on killing Franklin but he also knows Rango can’t succeed without him because Youtube virtually demands kittens for sacrifice. The three of them are locked in a mortal conflict of needs.
The principle characters were unveiled in December 2011 with the release of Operation Rango: Check 1,2, but they had strong support from the chorus. By integrating the narrative into the Facebook/Twitter stream, Rango videos are mashups that include real contributions from artists like Tim Hearn and Kerry Kelley and the crew at Reputation Presents, a crossover between real life and cyberspace across extremely vague lines. It’s pseudo-reality at its finest (or at its worst, depending on your point of view), distinctly indie and completely unbridled.
For visually compelling musical content the series draws from Matthew’s dual careers as a ballet dancer and metal guitarist and two universally recognized icons of cool: martial arts and guitars. As an adjunct to every adventure Rango must exercise his new form of movement, guitar kata, and use it in some way to contribute to the adventure. Starting from the prototypes built in his basement using a projection system and multiple cameras, computers and mirrors. Matthew has given Rango a style of movement that includes Corner Workouts, Axe Handling, Somewhat Spidery, Close Quarters and other distinctly stylized forms of movement used as choreography against a spinning wall of psychedelia (The Mojo Wall) or the background of Seattle itself using the photography of artist Richard Wood to help frame his performance against his heavy metal arsenal that includes The Turk, Gravity, and The Ringmaster. Indeed, Franklin himself gets his own song and the show craters on the edge of being purely animated sci-fi musical dramedy.
For Into the Snow Matthew relied on a tried and true method of ancient bards to construct the plot line: he took a video camera out into a snowstorm and played with his fiddle while Rome burned. 100% ad hoc improvisation, taken in direct sequence from the camera to the final reel, Into the Snow was filmed the day Seattle took it in the face from 2 inches of snow, shutting down one of the most highly regarded high-tech Meccas in the world with what Rango glibly characterizes as a “Michigan Recess”. All of the sirens in the background are real, as are the helicopters. Armed with survival gear that includes a gas mask and an extremely thin survival blanket, as well as some food reported to taste like chicken, Rango sets out into the snow with callous disregard when he learns his friend Tim Hearn may have set into the storm en route to Seattle to jam.
Things get dicey and he gets more than he bargained for. As he ventures into the snow perspective shifts and somebody is indeed discovered in the snow, but it’s Rango himself. Saved by the ubiquitous Clone1, who runs the command and control console at the Doghause, Rango is horrified to learn the fate of his bunny and faced with the grim reality that despite his most overly optimistic assessment the survival blankets really weren’t going to be enough.
The story concludes with episodes II and III, where we learn the fate of Tim Hearn and Franklin, respectively. Without spoiling it, suffice it to say that there were several witnesses to the crime that included the local news flying their helicopters overhead. It’s a cautionary tale about playing with guitars and computers and going into the snow, with a little something to say about what it’s really like to be bipolar, uniquely talented, and somewhat lonely.
\m/atthew
You can view Into the Snow here:
Update 12/21/12:
============
I’m pleased to announce the release of Into the Snow II. Find out what happened to Tim Hearn here:
Shopping for clothes is my least favorite thing. Definitely take a needle to the eye and a surprise root canal over shopping every time (blame my mother, who seemed to think that <all><freaking><day> was a good amount of shopping for this ADD child, particularly at those downtown Grand Rapids clothing stores with no toy departments and no VIC20 computers like Meijers had).
Unfortunately I needed 6 outfits for the photo shoot tomorrow and all I’ve got is Rango gear and idiot costumes (also blame my mother) so I had to suck it up. “This is going to hurt” I said, “and you may feel a little sick, but you’ll be on your feet in no time if we make this really quick”. Then I sang it in epic Broadway style with a touch of Bob Geldoff doing Roger Waters, to nobody, like usual, and dug deep into my brain for a solution and a random booger (unscripted but 100% true, very dehydrated and prone to show tunes with a metalish inflection \m/).
30 minutes at Goodwill and $125 later I’m up 3 pairs of jeans and 3 pairs of casual dress pants, 6 shirts including $35 white body armor that I need for my Risk video, 1 groovy coat, 2 pairs of sunglasses and all manner of socks (we use them to feed the dryer, along with guitar picks).
Therefore, I’m done. I’m never going shopping again. If I get fat I’ll fast my way back to a 34. If I stoop I’ll get a nailed to a pole. If my color changes, paint me or just flat out kill me to restore this pasty white cave-living complexion to its present luster. Never again, it’s over and I ruled the day by not puking in public (it’s the little things that make a big difference to the deviant mind, both of them in my case). Onward through the fog, it’s time to get vapid, baby.
Maybe not. Into the Snow released this week (see previous post). Photo shoot this weekend. Coming soon: full frontal media assault. No, not quite like that. Well, maybe if I get desperate. It’s good to have a provisional plan (e.g., eating frozen people in a storm). More like Liberteria followed by Temple of Zither followed by more Rango videos and then videos for every song on Temple of Zither and Etherati, followed by a re-release of Etherati and a mechanism to monetize all of it I like to call Rango’s Doghause. Along the way, dozens of interviews on FM and more, including collaborations with Jenni French, and MikeWhitePresents. Gotta have something to talk about, right? That’s why I’ve been working so hard all these months and keeping a relatively low profile on formal promotions.
Checkpoint: May 24th, almost to the 50% mark for my 2012 campaign. Doing good rabbit, just gotta keep up the pace and let a few of those missiles go. There’s a reason this house hasn’t sold yet and it’s this: you ain’t done shooting videos, boy.
\m/ (-.-) \m/
Seattle’s most infamous bipolar polymath heads into the snow to find his buddy Tim Hearn. Rango’s first short film, 1 of 3 in the series:
http://www.youtube.com/watch?v=XRkwkGKTSH8
Wade peered over the edge of the chicken coop looking for signs of the raid. A handful of hens clucked about and a rooster strutted around them, indifferent to the scrutiny. There were no signs of a disturbance other than missing chickens and a patchwork of wolf tracks emerging from the trees at the edge of the farm. The size of the tracks suggested a violent end for the livestock but the condition of the coop suggested something more precise.
Wade’s friend Donaar ignored the chickens but paced anxiously around the coop inspecting the tracks. He crouched down and placed his hand inside one of the impressions and then looked up. “Looks like we may have more blood on our hands than we bargained for,” he said. “Maybe I should have brought a bigger hammer.” He stood up and ran his fingers over the head of the war hammer hanging from his hip, then followed the tracks to the edge of the trees. He stared into the woods, inviting the wolf to come out and settle the score.
“Maybe a bigger hammer is in order,” quipped Wade, “and maybe we should go back to the enclave and get a few more. I think we should raise some company.” He grabbed his crossbow with his right hand and crouched down, pointing at the tracks with his left. “I’ve laid down my share of deer with this bow and I’ve brought home a few wolf pelts, but this is entirely different”, he said. He slid his entire index finger into the paw impression, measuring the depth of the print. “This animal weighs three men or more – the size of a bear. And it’s tall enough to reach into this coop and make off with dinner without touching the sides” he said, pointing at the small fence. That makes him four feet at the shoulder.” Wade stood up and looked directly at Donaar, who was still looking into the trees. “That’s a big animal” he said. “I think we need some help”.
Donaar turned and looked back at his friend. Wade was smart, to be sure, but rarely took the initiative in the face of uncertainty. He was always calculating, always reserved. Donaar was the opposite, never doubting, always taking matters on faith and relying on his intuition. Wade’s reaction was predictable but not an option for the dragonborn. “I’m almost three men or more” he said, pointing at his own chest. “And I’m not splitting the reward with anybody but you. Just stay behind me if you’re worried. These tracks are fresh and so is this blood” he said, unsheathing his hammer. “I’ll smite the wolf. Let’s get on with it”.
Donaar disappeared into the trees and left Wade standing alone, knowing very well that any response from him would be ignored. Donaar had made the decision for them and wouldn’t change his mind rationalizing about the danger. “Very well”, Wade resigned quietly, “let’s get on with it.” He took a deep breath, cocked his crossbow, and followed his friend into the woods. Better to take on the animal together, he reasoned, than separate and take him on alone.
The fertile ground of the farm yielded to a forest floor thick with debris. The smell of the chicken coop faded, replaced by the welcome scent of the fey wood. The tracks gave way to a foot path, a winding, narrow route clearly used by animals and humanoids alike. The dirt of the path was compressed and covered with the debris raining down from the canopy above, but the sides of the path were spotted with deer, fox and boot prints. The pair followed the path cautiously at first, looking for signs of their prey. But as the morning wore thin their concentration faded and they started to stroll, reminiscing about their days growing up in the enclave.
================================================================
They were unlikely friends. Donaar’s family was from a long line of wandering dragonborn, a serpentine race scattered across the world in search of their homeland. His extended family settled into the enclave when Donaar was young, and his immediate family was one of the few left behind when the perpetual migration called the others away. The eladren that lived in the heights of the enclave welcomed the remaining families as their distant brothers, linked by correspondences in draconian legends and ancient eladren scrolls. Donaar’s family and their kin settled into burrows at the base of the enclave trees, carved out and long since abandoned by a neighborly clan of dwarves. They tended the grounds and the perimeter gardens while the eladren managed the rich complex of lofts high in the trees, sniping game from above and foul from below.
The dragonborn’s steadfast, principled nature served as a fine compliment to the slippery complexities of eladren philosophy, so much so that they raised a temple nearby hoping to offset their influence. Donaar spent much of his childhood there, playing in the statue garden and swimming in the river, and with the help of the temple clerics he committed much history to memory. He became an acolyte and regarded the priesthood has his certain destiny. But as his understanding of dragonborn history expanded the nature of their plight overcame him. He lost interest in the intellectual pursuits of the church and he started to imagine a future ending the great migration and uniting his people in the vast, undiscovered city foretold by prophecy. By the age of emancipation he could think of little else.
Wade’s family was somewhat less principled than their neighbors. The Slybones were known around the enclave and in nearby towns as unscrupulous accountants and mystical numerologists, making their living by pinching from contracts and otherwise acting as dubious middlemen. There was some hearsay, spread without proof beyond the suggestion of their name, that some of their clients had been swindled or blatantly misled. But proof was hard to find because the contracts they managed were always written to mesh tightly with provincial law and protect the family from related disputes. They frequently wrote contracts so long they required multiple scrolls to enumerate all the provisions, and some of them were so long they were bound as books. A rare client had the intellect to understand the complexities of those contracts, and the rest were inevitably left turning over a small portion of their income to the Slybones clan. Wade’s family managed quite nicely at the expense of the rest of the locals, as did the traders and farmers that were party to the contracts. It was a delicate balance that required skillful management and diplomatic finesse.
Wade had the character, charisma and the intellect to continue the family business, and when he was young he had some interest in doing so. But as he grew older and started to learn the finer points, his interest waned. He began to spend hours reading through a small trove of eladrin scrolls and books discovered in his attic, most of them previously unread, simply acquired as investments by his father. Beyond numerology and simple mysticism, the eldritch ways of the ancients began to consume his waking hours, and he began to amass his own reading materials about the magical arts. He converted the attic to his own personal library, building shelves directly into the round walls of the tree and expanding the ceiling so high that he required a system of ladders to reach all of the books and scrolls. He became increasingly isolated as his studies consumed all of his time, and his fair complexion eventually faded to white after spending countless hours in his library. A rare day brought fresh air and a visit from his childhood friend Donaar, and that was exactly how Wade liked it.
================================================================
Donaar was the first to spot the clutch of feathers on the side of the trail in front of them. They were clearly remains from the missing livestock and a certain indicator that they were closing in on their prey. As he approached the remains he saw the unmistakable impressions of a massive predator, a maze of paw prints surrounding the carnage and then merging back onto the trail. In the dim light of the forest canopy surrounded by evidence of violence the tracks somehow looked bigger than before.
“That’s not a wolf” said Wade, nodding toward the feathers. “That’s something else. A wolf does not carry its prey two hours into the forest to eat it by the side of the trail. That’s a deliberate action, not the work of an animal”.
Donaar was a few steps ahead, inspecting the remains closely. “You’re right”, he said, standing up . He pointed towards the feathers. “That chicken was butchered. Looks like we might have our hands full”. He looked around cautiously and started flipping his hammer, tossing it a few inches in the air and catching it by the handle as if he was getting ready to throw it.
Wade turned from the trail and walked a dozen steps into the forest. He glanced around, then started walking diagonally towards the trail. He zigzagged like this following the path for a few hundred paces before something caught his eye. In a patch of soft soil he found another track, smaller than his hand and shallow but for the ends of the toes which curled sharply into the soil. Three digits on the front and one on the back made the impression look like that of a large bird or lizard. He called to Donaar, whose dragonborn heritage had exposed him to all things serpentine. “What do you make of these?” he said.
Donaar recognized them immediately. “Kobold, no taller than your waist” he said. “Bring them to me and make sure they never grow any taller.”
Wade grew short with his friend. “Enough hubris, Donaar, this situation has taken an unwelcome turn. We’re no longer on a hunting expedition and we were scarcely prepared for that. The spells in my grasp could stop a wolf in its tracks but now you’re talking about a group of intelligent creatures flanking something even more menacing. I suggest we return to Brodin’s farm and inspect the perimeter more carfelly so we can better estimate the size of the raiding party. After a night at home in the enclave we can walk to town and see about fitting you with a proper suit of armor, or at least a shield.”