For dinner tonight in My Life as a Musical we had consensus in the house that we wanted to chow down on some Wok-In, so I strapped on a guitar and headed out to see Johnny and Sling Baby. When I got there the doors were locked but I could see them inside. Sling Baby came running to greet me and his dad followed and let me into the restaurant. They were tearing down, and he explained that he hadn’t seen the video yet but that they would be open tomorrow, but all they had was beef, no chicken. I resisted all my urges to make a joke about tasting like chicken and instead told him I was looking forward to it. Sling Baby ran back and forth, obviously wondering if I was going to play. I shook hands with his dad, the kind where you slap each other’s shoulders and he said “thank you, Rango”.
I reciprocated, bantered with Sling Baby, then went around the corner to Teriyaki Garden. In Seattle there’s a Starbucks every six feet, and a teriyaki joint either built-in or right next to a gas station every 30 feet, and you can typically get your nails done in between. So, cashew chicken, fried rice for RangoDaDog (my boy), nothing for Mistress she’s feeling bad, and won-ton soup. Always soup, people know this, it’s the best food ever invented.
I rescued La Cordoba from the misery of her loneliness in the car and sat in a corner of the restaurant. First challenge: the radio’s playing. Over at Wok-In Johnny always turned the radio off and gave me the floor. Same thing at Urban Coffee across the street. But Teriyaki Garden was clearly digging the radio vibe, so I was on it. I started tracking what was on the radio, quietly, then louder, but tasteful. Some dudes came over and sat right next to me, like 3 feet from my head stock and I recognized one of them from last time at Wok-In. The “mad skills” dude. Some Louie Armstrong came on, and I was feeling it by then so I piled on for the big solo and ripped the thing to shreds. Got some nods and some folks obviously stuck around to hear it. It was fun and I could tell they enjoyed my ability to mimic the melody or anticipate or harmonize with it.
“Cashew chicken, fried rice, won-ton soup…cashew chicken, fried rice, won-ton soup…hey mister, your food is ready”. “Thank you” I said as I grabbed it and headed for the door. She seemed annoyed. When I got home I realized the order ran me $30, about $6 more than Wok-In. And the soup was light about a cup, whereas Johnny’s wife always gave me the same size container and a smaller one for my son for a dollar less, enough for the next day. And this soup, come on lady, it was clearly the bottom of the pot. Johnny’s wife made it fresh <every><time> and you had to wait extra for it. It was superior.
There’s a reason one of those vendors is out of business, and it has nothing to do with the quality of their food, their common decency or how like-able they are. The moral of the story? Charge more, give your customers less, and keep the radio playing. Get rid of the dude with the guitar, and do not invite him back. It’s all about efficiency. The good news? Every 30 feet.
So another chapter in My Life as a Musical, took place in the Trader Joe’s parking lot. After the Throne of Kings found its way into Shitty Shitty Bang Bang (my Toyota Matrix), I headed over to Trader Joe’s to see about flowers for Mistress. As my Cordoba screamed in agony at being left in the hot car alone, before I even turned my back I on her I heard the distinctly chimey and mostly-silver-with-a touch-of-bluish-green sound of G-Major ringing out from the sidewalk. I could see a dude with a banjo shredding mightily with a hat laid out, and I was immediately reminded that I had once again forgotten my ATM card. So back to the car (EVERYBODY NOW: where the fu*), and then over to meet said bard.
His sound was unique, and it wasn’t just the lilting Appalachian twitter in his voice, it was an exceptionally warm and smooth banjo sound. I watched him play up close and realized that a) he was playing nylon strings (20+ years, i’ve never seen that before) and b) he was a playing a fretless banjo (ditto) and that c) said banjo had started out life with frets…he mauled the thing and ripped them off. After a round of introductions – his name was Matthew, so we laughed about that before I explained that I was actually Rango, which made the conversation strange and uncomfortable due to his mountaineering sensibilities – he stopped playing long enough for me to inquire about his banjo mauling skills and he confirmed that yes, he mutilated it and yes, it was in G-Major. At that point I had to resist all my urges to go get my guitar and jam with the dude, because a) it was obvious by then I was a musician and probably packing heat in the car and b) I felt it would be unwelcome because I found him slightly strange, as I imagined he did me as well. So $3 for the hat and a double-handed yasm \m/ and I was gone. A fine and rare moment.
\m/ (-.-) \m/
My fans and affiliates know that part of my story has been told on the air via the Reputation Radio Show’s Nervecast Sessions. John Summers killed it last Friday and explains why here:
My response?
I’m with John Summers on this one. If your baby isn’t meeting up to your expectations after a year, better to kill it and make a new baby. !? It’s art, baby, not people babies. See you in the Inner Sanctum, expect to meet Rango Unmuzzled in the darkest corners there.
Nice job, Johnny. Bravo. I applaud your artistry and your musicianship and your willingness to make the hard call.
\m/ (-.-) \m/
Operation Rango: Get Music Stand
Raw webcam video captured on Plagus during the load-in phase of Operation Rango, clearly demonstrating why everything I do takes longer than I expect it to.
ALSO: Air drums, and a special bonus.
I’m pleased to announce the release of my latest Operation Rango episode, Sling Baby. Our hero forgets his ATM card and tries to get a free lunch. He ends up getting served baby soup and learning a little something about the power of mojo….
Here was my last Facebook post:
Operation Rango: Sling Baby’s seen 180+ views on Fandalism in the first 1/2 day or so…extremely high engagement metrics on Youtube…a dancing baby…lots of laughs and the highest Like/View ratio of any video I’ve made to date…somewhat shreddy…
\m/ (-.-) \m/
If you like it, if it gives you joy, please share it on your wall or somebody else’s.
http://fandalism.com/rangothedog/bdDG
Fandalism’s a more fun environment to watch it in because then you can just stay in Fandalism and watch other music videos. For those who prefer the YouTube experience, with endless noise in the form of non-music related videos thrown in, you can get your tube on here:
http://www.youtube.com/watch?v=oOKUGJ0x-5Y
omg. WHAT IF THEY’RE RIGHT? what if the big labels that have choked the industry and failed to adapt to the internet in a timely fashion because they were too busy hoarding their precious mountains of gold are actually right? what if folks like John Summersand Lacy Darryl Phillips and Morbid North are all wrong and the 1,000 or so musicians that sold enough CD’s to make a living on it <really><are><the><best>.
BAH-HA-HA I CAN’T EVEN KEEP A STRAIGHT FACE.
Man, I don’t have a TV, and I pretty much stopped listening to commercial radio two years ago when I discovered Indie music. We gotta figure out a way to monetize more effectively but I think it’s a solvable problem. Some you are doing it. Guys that are selling beats figured it out…(note: Rango’s Riff Shack is past the concept stage (oops: loops & samples in multiple keys, multiple sounds, multiple riffs, all rango, all free to recycle for $1)), but at the end of the day I’d put up the top 1,000 Indies against pretty much any of the top 1,000 big label acts any day.
We could even have a few concerts to prove it. (or not, it would be a blast either way)…Just saying….
One observation: Indies are constant entertainment. It’s not just music, it’s like Bands on Parade(TM) around here, but none of them live in ivory towers so it’s more interesting because it’s easier to relate to.
WANTED: Ivory Tower(TM).
The bands that are really working it bring a lot of entertainment value to the music, particularly since most of it is free although it costs thousands to produce :-(. And some of us really go out of our way to make the interaction here part of the product and integral to the media. Artists that do that include Matthew Meadows Music,Kara Johnstad, Amber Bird, and countless others. Why? BECAUSE IT’S AWESOME.
WHAT ABOUT THE DEMI-GODS? you say…the Vai’s and the Satriani’s and the VanHalens, they’ll take your head first and then just Grendel it nom nom.
YOU KNOW WHAT? That hurts, ouch, definitely prefer the headed version of me, and i’ve lost my head in a duel so I know this, too…we’re going to take some casualties…but WE’VE GOT SUPERHEROES, TOO. You just don’t know their names, but I know a few of them and I’ve pointed a few out. Guitar Jack on YouTube comes to mind (reference needed), he’s completely alien. Speaking of aliens, ED To Shred, Katsumi Yoshihara, Rick Rousseau, etc…we’ve got ’em, baby…
We gotta take back this industry. It’s a crying shame.
Random Rango fact #139: I know Skeletor.
As a young dancer I performed musical theater in the off-seasons, including a run of My Fair Lady by Houston Grand Opera featuring the magnificent actor Frank Langella (played Tricky Dick in Frost/Nixon). I sang and danced my ass off, made some dear friends, and even had a speaking part:
“The horses are leaving the paddock, madam.”
Wondering now if he remembers me. Certainly not now in my freakish role as indie rockstar / bipolar poster child, but possibly as a young punk kid that could jump & turn and had a ridiculous proclivity for whistling and playing guitar from the orchestra seats.
Having Yet Another Surreal Moment:
\m/ (-.-) \m/
https://www.facebook.com/pages/Frank-Langella/103787049660145?ref=ts
Glacier. It’s a concept that’s taken hold easily and seems familiar right away. All the visual concepts have been getting tossed around for a while now so they’re not new. And it all relates to Into the Snow, and being Somewhat Spidery. What’s going on here?
I’m not ashamed to say that I’ve been seeding the meme, and I’ve been doing it with the help of my friends. As wrong as that sounds it just feels right. This technique was employed to the desired effect right after the big 2″ snowstorm hit us and LA media bloggers attacked Seattle. Now there is a semi-permanent historical reference to the solidification of the conception point.
Check out how my friends piled on, just for the fun of it. Awesome.
Hey guys, some of you have reached out and offered support in the form of advice, encouragement and prayers. That’s pretty telling right there, so I just want to assure everybody that’s vested in what’s going on here that I’m going to be fine. I anticipated this coming and took appropriate measures several weeks ago to soften the edge. Suffice it to say I’m gently medicated and slightly touched.
Still, the venom comes out, and as recently as today someone very close to me insisted that I “drop her and block her”, which is a funny way of saying she doesn’t care for the actor but she can’t stop watching the train wreck since she could have obviously just dropped me herself.
Even to this, there is a bright side, and it is you. I’m really impressed at the number of people that have come out of the woods over the last few months and admitted to me in private that they struggle with bipolar, schizophrenia, and other mood disorders. Seriously nasty stuff, ma’am, no fun, and Rango’s not a fan. But at least he’s not alone. In fact we could pretty much form an orchestra, you know what I’m saying?
Some of you are horrified by my candor, others find it inspiring. The jury’s still out on whether or not I should have ever opened my mouth about this. The unfortunate fact of the matter is that even today disclosure has severe negative professional and social consequences, and you can never put the crazy back in the bag. But keeping my mouth shut is not my strong suit, it requires an iron muzzle or a cease & desist order on fancy letterhead (both are good). I’ll settle for “horrifyingly inspiring” and call it even.
Onward through the fog.
\m/ (-.-) \m/
Martin awoke slowly, fading into a dream that was cold, wet and dark. Soft red light teased his vision, a distant promise of lucidity, but his eyes were swollen shut and tightly sealed. His lungs burned, scorched by water, and his mouth tasted faintly of blood.
As his senses coalesced into consciousness he became aware of his body. He was lying prone in the bathtub, arms draped over the sides providing just enough leverage to keep his mouth above the water. He tried to pull himself up but his grip was weak and his arms failed him. As he collapsed back into the tub a terrible pain lanced his left calf and he inhaled violently, sucking in the splashing water and then retching from the bloody taste. He reached down into the tub, frantically searching. When his fingers touched the handle of the box cutter he cried out from the pressure of the blade in his calf. He tugged on the metal handle then threw the knife out of the tub and onto the floor.
He was trembling. The water was tepid but he was cold, washed over with pain and fear. As the tears welled up in his eyes he realized they were crusted shut with blood and sweat. With quivering hands he ladled water and splashed it on his eyes, then rubbed them softly. Moments later he was squinting at a candle perched above the tub, casting the bathroom in a red glow. As the room came into focus so did his memory.
This was his suicide. He rolled his hands over, palms to the ceiling, and gazed at his wrists. They were both a mess, slashed and scabbed over, dripping with water and fresh blood. His left wrist was much worse than his right, with a deep, diagonal cut that spanned the width of his arm. The cut on his right wrist was a shallow gash just underneath his palm. Both of them were pulsing, throbbing with his heartbeat.
As he gazed at his arms he began to remember his last conscious moments. He was right handed, and when he had finally summoned the courage to make the final cut he slashed his left wrist. The cut was deep and bloody and had rendered his left hand shaky and weak. The site was so gruesome and the pain was so intense that his willpower had faltered. He remembered slashing at his right wrist with a feeble, uncoordinated hand, dropping the knife and feeling feint immediately. He remembered the sting of the water on his wrists and instinctively draping his arms over the sides of the tub to bleed out. He remembered the searing pain in his forearms and the promise of relief from his anguish.
As his memory recovered he came to understand how his bid for death had been denied. The weight of his body falling back into the tub had pulled against his arms, compressing them against the edge of the tub. The pressure had slowed the bleeding just enough to keep him alive but not enough to keep him awake – until now. He was still confused, betrayed by his failed plans and his sense of time.
The cutting seemed like just minutes ago but the water was too cold and the blood on his wrists was too dark for that to be the case. The Christmas candle set out for the paramedics was itself on the verge of death, indicating that he had been in the tub for almost two days. But the dead man’s switch running on his computer was scheduled to run just 8 hours after he planned to kill himself. The paramedics should have been summoned, his wife and kids should have been notified, and the emails with the explanations should have gone out to all of his friends. He should have died hours in advance of those things, and Plagus would have had to handle the rest, to answer questions from authorities about his death while simultaneously executing his will in his absence. Someone would eventually go to the house and ask questions. But right now he was alive, alone, and impossibly worse off than he was the day he had decided to end it. With that machine running his life it would be unimaginable misery, suffering until death at his whim as the world crumbled. Suicide was the option that Plagus didn’t consider when he stole his life, but surviving it was the option Martin never considered when he tried to end it.
His mind wandered to the grief and chaos of his family, and wondered if they were even alive. Would there be retaliation? In that sorrow alone he felt such crushing sadness it only confirmed he was better off dead, and he started to sob. He was now mortally wounded and too weak to finish the job, a failure second only to the horror he had unleashed on the world. From this endless wellspring of sorrow he found the resolve to do it again right this time, he convinced himself he had the will. He was lucid enough to finish the job but he was too weak to pull himself out of the tub. The knife was somewhere on the ground, and like so much of his life, just out of his reach.